| 0:40 | Est. Play Time |
| 39 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord |  |
16 | 24 | 10 | 7 | 100% |
 |
21 | 23 | 10 | 7 | 100% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
16 | 24 | 10 | 7 | 100% |
|
21 | 23 | 10 | 7 | 100% | |
| Basso Continuo | |
17 | 0 | 6 | 7 | 100% |
| Violoncello | |
17 | 0 | 6 | 7 | 100% |
| Contrabass | |
16 | 0 | 6 | 7 | 97% |
| Violins | |
19 | 0 | 6 | 7 | 97% |
| Mago as bass |
|
12 | 0 | 3 | 7 | 75% |
| Viola | 7 | 0 | 3 | 5 | 15% |
| 0:42 | Est. Play Time |
| 35 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Double Bass |
|
7 | 0 | 2 | 3 | 100% |
| Viola | 18 | 0 | 5 | 2 | 100% | |
| Violin | |
19 | 0 | 5 | 2 | 97% |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Double Bass |
|
7 | 0 | 2 | 3 | 100% |
| Viola | 18 | 0 | 5 | 2 | 100% | |
| Violin | |
19 | 0 | 5 | 2 | 97% |
| 0:57 | Est. Play Time |
| 46 | Measures |
| 1,369Kb |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| VIOLINEN. | |
26 | 0 | 10 | 8 | 100% |
| BRATSCHEN. | 24 | 0 | 9 | 4 | 100% | |
| View all 30 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| VIOLINEN. | |
26 | 0 | 10 | 8 | 100% |
| BRATSCHEN. | 24 | 0 | 9 | 4 | 100% | |
| Contrabasse. | |
25 | 0 | 11 | 8 | 100% |
| Violins | |
23 | 0 | 9 | 8 | 100% |
| Violoncelle. | |
27 | 0 | 12 | 8 | 100% |
| FAGOTTEN. | |
28 | 8 | 9 | 8 | 90% |
|
1. BASS-TUBA. (in B.) |
|
21 | 2 | 10 | 8 | 88% |
| CONTRABASS-TUBA. | |
18 | 0 | 5 | 7 | 82% |
| BASS-CLARINETTE.
(in B.) |
|
23 | 0 | 7 | 7 | 75% |
| 2 TENOR-TUBEN. (in Es.) |
|
11 | 5 | 2 | 7 | 69% |
| Bassoon | |
26 | 0 | 9 | 7 | 68% |
|
3 POSAUNEN. |
|
21 | 5 | 7 | 7 | 63% |
| HORNER. | |
18 | 0 | 8 | 9 | 53% |
| 2. BASS-TUBA. |
|
10 | 0 | 6 | 7 | 50% |
| PAUKEN. (1. PAAR.) |
|
2 | 0 | 0 | 4 | 43% |
| TROMPETEN. | |
8 | 0 | 3 | 5 | 38% |
| HOBOEN. | |
17 | 0 | 7 | 3 | 35% |
| CONTRABASS- POSAUNE. | |
6 | 0 | 3 | 2 | 32% |
| BASS TROMPETEN. |
|
8 | 0 | 2 | 6 | 29% |
| CLARINETTEN. | |
17 | 0 | 8 | 4 | 25% |
| B♭ Clarinet |
|
16 | 0 | 7 | 3 | 21% |
| Englisch Horn. |
|
13 | 0 | 6 | 4 | 21% |
| F Trumpet |
|
6 | 0 | 3 | 6 | 21% |
| Oboe | |
14 | 0 | 6 | 3 | 21% |
| Horn in F |
|
15 | 7 | 5 | 3 | 21% |
|
GROSSE FLOTEN. |
|
4 | 1 | 1 | 3 | 14% |
| Flute | |
5 | 3 | 1 | 3 | 14% |
| Trombone | |
10 | 0 | 3 | 6 | 14% |
| Kleinen Floten. |
|
2 | 0 | 1 | 2 | 7% |
| PAUKEN. (2. PAAR.) |
|
1 | 0 | 0 | 1 | 7% |
| 0:54 | Est. Play Time |
| 36 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Klavír | |
10 | 3 | 3 | 6 | 100% |
|
13 | 8 | 5 | 3 | 100% | |
| Bas | |
11 | 0 | 4 | 6 | 74% |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Klavír | |
10 | 3 | 3 | 6 | 100% |
|
13 | 8 | 5 | 3 | 100% | |
| Bas | |
11 | 0 | 4 | 6 | 74% |
| 0:01 | Est. Play Time |
| 59 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harp | |
24 | 12 | 6 | 6 | 98% |
|
23 | 4 | 6 | 5 | 98% | |
| View all 10 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harp | |
24 | 12 | 6 | 6 | 98% |
|
23 | 4 | 6 | 5 | 98% | |
| Harpsichord | |
24 | 10 | 7 | 6 | 98% |
|
23 | 5 | 7 | 5 | 98% | |
| Continuo | |
23 | 0 | 6 | 5 | 98% |
| Cleopatra | 16 | 0 | 5 | 5 | 72% | |
| Violini | |
16 | 0 | 2 | 6 | 62% |
| Celli | |
17 | 0 | 1 | 3 | 56% |
| Violas | 11 | 0 | 0 | 4 | 33% | |
| Kontrebaß | |
13 | 0 | 0 | 2 | 21% |
| 0:54 | Est. Play Time |
| 36 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Klavír | |
10 | 3 | 0 | 6 | 100% |
|
13 | 8 | 0 | 3 | 100% | |
| Bas | |
11 | 0 | 0 | 6 | 74% |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Klavír | |
10 | 3 | 0 | 6 | 100% |
|
13 | 8 | 0 | 3 | 100% | |
| Bas | |
11 | 0 | 0 | 6 | 74% |
| 0:01 | Est. Play Time |
| 55 | Measures |
| 1,171Kb |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo (Continuo) |
|
29 | 109 | 10 | 9 | 97% |
|
31 | 38 | 9 | 5 | 98% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo (Continuo) |
|
29 | 109 | 10 | 9 | 97% |
|
31 | 38 | 9 | 5 | 98% | |
| Violoncello (Continuo) | |
23 | 0 | 7 | 5 | 98% |
| Alto as Armida |
18 | 0 | 6 | 7 | 68% | |
| Violins | |
23 | 0 | 5 | 4 | 68% |
| Contrabassi (Continuo) | |
19 | 0 | 4 | 5 | 66% |
| Violincelli (Continuo) | |
19 | 0 | 4 | 5 | 66% |
| Violas | 17 | 0 | 5 | 5 | 19% |
